Clearly influenced by a European sculpture of a Madonna and Child, and quite likely in fact, meant to represent this Christian subject. The hair and features of the Boy are quite European; as is the crown despite being decorated with Buddhist iconography. This is clearly one of those remarkable instances in which the Chinese artisans, who were unfamiliar with Christian and Western representations, merged elements of each culture in creating the object for export to Europe. Similarities betwen the depictions of Guanyin, Bodhisattva of Mercy and Bringer of Children, and the Madonna and Child made an easy connection for artisans to create Christian images for use by the Christian community in China as well as for export to Europe.
Similar examples: Koger Collection, Ringling Museum, Sarasota; Donnelly, Blanc de Chine, 1969, Pl. 122; Blumenfield, Blanc de Chine, 2002, p. 171; and Asian Civilisation Museum, Singapore, Christianity in Asia, 2016, No. 63.
Height: 21 5/8 inches (55 cm.)
